Eventide h910 harmonizer
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Prior to mixdown of course, plenty of additional H9000 effects can be added to tracks, such as a gated reverb on the snare, distortion to the guitars, etc. Thus, at mixdown, the H9000 can be used for a stereo reverb on all the tracks, a digital delay and/or digitally modeled plate reverb on the lead vocal, distortion and/or a doubling effect on the lead guitar. The Fireface UFX+ allows for eight stereo inputs and outputs via ADAT, and the H9000 will process four separate chains of effects. FX Chains are invaluable for quickly exploring various combinations of effects to achieve new and inspiring sounds.” While it’s possible to get usable results shortly after setting up the unit, plan on spending a fair amount reading the unit’s instruction manual to get the most out of it. The H9000’s FX Chain paradigm is like a custom channel strip on steroids allowing any four complex algorithms to be combined and routed to taste. As the H9000’s page on the Eventide Website notes, “FX Chains can be created to act as a channel strip, a guitar ‘pedal board,’ a modular synth with effects, etc. These allow for the creation of multiple effects chains, with each chain containing up to four effects “algorithms,” with each algorithm itself containing multiple effects.
Eventide h910 harmonizer & stereo room reverb how to#
(Eventide had a recreation of Hal’s famous camera lens from Stanley Kubrick’s 2001: A Space Odyssey alongside the unit at some of their tradeshow demos, so as with the original H910, I assume this choice of name was not a coincidence, and as with Hal, I can’t yet figure out how to use the H9000 to open the pod bay doors.) Inside its standard-sized double rack-space box are four quad-core ARM processors and 16 DSP engines.
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Many iterations later, the new H9000 can really f**k with the fabric of time.